Ink And Wash Paintings

贝家骧,戏曲人物1,纸本水墨,67x45cm,2018.jpg
贝家骧,戏曲人物3,纸本水墨,67x45cm,2018.jpg
贝家骧,戏曲人物4,纸本水墨,67x45cm,2018.jpg
贝家骧,戏曲人物5,纸本水墨,67x45cm,2018.jpg
贝家骧,戏曲人物6,纸本水墨,67x45cm,2018.jpg
贝家骧,戏曲人物8,纸本水墨,67x45cm,2018.jpg
贝家骧,戏曲人物9,纸本水墨,67x45cm,2018.jpg
贝家骧,戏曲人物10,纸本水墨,67x45cm,2018.jpg
贝家骧,戏曲人物11,纸本水墨,67x45cm,2018.jpg
贝家骧,戏曲人物12,纸本水墨,67x45cm,2018.jpg
贝家骧,戏曲人物13,纸本水墨,67x45cm,2018.jpg
贝家骧 芭蕾NO.01 纸本水墨 540x520cm 2014.jpg
贝家骧 芭蕾NO.02 纸本水墨 670x600cm 2014.jpg
贝家骧 芭蕾NO.03 纸本水墨 530x570cm 2014.jpg
贝家骧 芭蕾NO.04 纸本水墨 480x650cm 2014.jpg
贝家骧 水墨人体(一片……) 纸本水墨 660x730cm 2014.jpg
贝家骧 水墨人体(流水……) 纸本水墨 750x620cm 2014.jpg
贝家骧 水墨人体(偶来……) 纸本水墨 680x740cm 2014.jpg
贝家骧 水墨人体(人闲……) 纸本水墨 650x680cm 2014.jpg
贝家骧 水墨人体(深林……) 纸本水墨 680x590cm 2014.jpg
贝家骧 水墨人体(胜日……) 纸本水墨 680x690cm 2014.jpg
贝家骧 水墨人体(世间……) 纸本水墨 660x730cm 2014.jpg
贝家骧 水墨人体(微云……) 纸本水墨 680x690cm 2014.jpg
贝家骧 水墨人体(闲梦远……) 纸本水墨 680x690cm 2014.jpg
贝家骧 水墨人体(遥知……) 纸本水墨 680x690cm 2014.jpg
贝家骧 水墨人体(正是……) 纸本水墨 680x680cm 2014.jpg
贝家骧 水墨人体(雨后……) 纸本水墨 690x780cm 2014.jpg
Details description

In recent years, confused about oil paintings,BEI Jiaxiang started to look for solutions through traditional Chinese painting with research and practicestarted with female bodies.

While painting the nude BEI Jiaxiang focused on the body shape instead of the face, that’s why we can hardly see the face of the girl, not to mention her facial expressions. In his paintings, it is the human body thatis expressing the painter’s emotion,not the woman who was being painted, becausehe believes that if he paints the face then he was painting a specific person, the face sets obstacle to express his feelings, besides that, face will damage the unity of the painting because the visual elements of human body are abstract so that the state and essence of the person could be presented.

He paid attention to the structure while pursuing the original beauty of the body instead of the structure, turning the human body from sensory stimulation to a way of expressing and showing his style of aesthetic appreciation to people through realisticand abstract human bodies. To make it more expressive, he even put several poetic phrases on the painting which is fairly rare among his peers today. ‘The most remarkable thing about Chinese painting is that it has a literary content.’ said WAN Qingli, professor of the University of Hong Kong.


No.88 Liming Rd,Minhang District,Shanghai City
021-54888223
Meibo Art Center